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Thorens Gallery This is a photo gallery of Thorens turntables in use from around the world. Indexed by model number. an open invitation: If you have a Thorens turntable that is either; a) not already featured here, or b) is of exceptional condition, or c) is collectible no matter what condition please see this image upload faq link for submissions into the Thorens Gallery. mailto: webmaster@theanalogdept.com TD111, 121, 124, 224 & 135: the idler drive models. Pat OMalley's TD111 (USA) Dave Archambault's TD111 (USA)
Beatlebum's TD124 (USA) Carlo's TD124 (Germany) Robert Chamber's TD121 (USA)
Jerry Giesting's TD124 (USA) Guido's TD124 (Belgium) Neil Hollow (Ireland) Ed Johnson's TD124 (USA) Tom Jung's TD124 (Switzerland) KKs124 (UK)
John Hamm's TD124 MKII (USA) Tum's TD124 (Thailand) Dmitry Tektonidi's TD124 MKII with custom plinth (Israel) Burt von Boltons' TD124 Mk II (Sweden) Chris Bingham's TD124 MKII (Northern Ireland) a psychedelic TD124 MKII found in NYC (USA)
Allan Songer's TD124 (USA)
Gert_Sorensen's TD126-III and TD124-II (Denmark)
TD150 MK 1 and MK 2 The first belt drive model Thorens
Bobbo the Soundnut rescues a TD150 (USA) Curt_Bostrom (Sweden) Jon Bridgman's TD150 (USA) Cham's TD150 with mods (Singapore) Per Karlsson's TD150 (Sweden) Colin Martin's TD150 with Ladegaard air bearing linear tracking tonearm (UK) Ronald_Knowlen's TD150MkII (USA) John Koning's TD150 (NL) Nick Panayiotou's TD150 mkII (UK)
Par's TD150 (Sweden) B_Price's TD150 Mk II (USA)
Shinji T's TD150 modified (Japan) John Simpson's TD150 MK II (UK) user510's TD150 MkII (USA)
TD125 mk 1 & mk 2: The 2nd Thorens belt drive. A higher priced model above the TD150 with electronic pitch control
2Channelman's TD125 (Canada)
Xico's TD125 (Brazil)
Marco Sandrin's "custom" TD125 (Italy) Bushman's collection of Thorens tables (South Africa) All are very custom. Gian Luca Marchetti, TD125 MK I with Rabco linear tracking tonearm. (Italy) Percy Mistrys' TD125 (USA) AKA_Munkie_NL, a stable of Thorens (Holland)
Alex Pointl's TD125 with custom plinth (Holland)
Ed Smith's custom TD125 MKII (USA) Jorge Madeira's custom TD125 MKII (Portugal) MC_Chia's TD125 mk2 (Malaysia) Darkstar's TD125 Mk II/SME (USA) Rene_F..TD125 Mk II (Germany) John Lewington's TD125 Mk II (USA)
David I Ramsey TD125 MKII with SME 309 (USA) HHSCOTTFAN's TD125 MKII (USA) Jeff Starr's TD125 MK II (USA)
TD125 LB: the LB designation means "long base" . This model was designed to include the longer 12 inch tonearms. RonWill's TD125-LB (Singapore) This is a restoration article.
The Thorens TD160 and its less expensive little brother, the TD165. Successor to the TD150 Carbonman's old TD160 MKII (Canada) Antonio_Diaz's TD160B (Spain) Jim Blackburn's custom TD160 (USA) Mark Feldshers' TD160 (Israel) Thomas Kamvoussioras's TD160 Mk II with Vacuum platter mat (Greece) Rolf_Kelch modify's his old TD160 MKII (Germany) Werner Ogier's TD160 (Belgium)
Guy_Pallister's TD165 (USA)
Shaun Smith's TD160 (United Kingdom) with custom stainless steel surround. Bill Summers' TD160 and TD166 (UK) user510's TD160 (USA) Simon_Wilson's TD160 (UK)
OK, so what is different and what is the same between the TD160 and its little brother, the TD165..? Details, mainly. The 3-spring suspended layout is the same. The floating chassis forms a rigid platform for both the platter bearing and tonearm on both of these tables. Indeed, it is the same stamped plate. The cabinetry is identical and much of the tonearm is the same, but there are also differences. The platter bearing for the TD165 houses a 7mm spindle rather than the 10mm spindle shaft of its larger sibling. The inner driven platter for the TD165 is die cast resin (aka plastic) rather than the cast zinc metal of its brother. The tonearms differ in the anti-skate devices used. The TD165 used what was known as the TP11 tonearm. Essentially the same gimbal pivot design as the TP16, used by the TD160, but with a weight-on-a-string design to counteract the skating forces that all pivoting tonearms must deal with. The TP16 of the TD160 used, by comparison a pair of opposing magnets, one fixed, the other adjustable for position in location about a metal ring. Adjust the one magnet closer to the ring and anti-skating bias was increased. Who is to say which of the two arms was actually better..? However the TP16 was sold as the superior unit. Which is actually the better sounding table..? In truth they are close but with slight variations in overall tonal signature.
The Thorens TD160 Super Analogfan's TD160 Super (USA) Brian Kearn's TD160 Super (Ireland) Patrick_Ng, TD160Super (Singapore) Artur Santos, TD160 Super (Portugal)
What about the 'Super' designation....why is it so super..? Here's a little story. The story begins with a UK Thorens distributor called Metrosound, and later to be known as Cambrasound. Metrosound was the kind of company that listened to its customers comments. When they began hearing numerous comments from TD160 owners who claimed to have modified and indeed improved the sound of their samples, Metrosound decided to investigate on their own. They set service manager Charles Trayhorn on a mission of producing a modified TD160 in an effort to persuade the manufacturer, Thorens, to produce such a version. What Trayhorn built used a different mat, used no foam damping in the springs, and the undersides of the motorboard and sub-chassis were damped with bituminous felt. The plastic TD160 armboard was replaced with a high density version and left blank to incorporate many different tonearms apart from the standard Thorens TP16. The standard cabinetry surround was replaced with a larger, more solid one and the plastic dustcover hinges were replaced with metal ones and the top trim facia received a slightly different paint scheme. This is essentially what Thorens themselves built, dubbing it the TD160 Super. The factory TD160 Supers were all based on the TD160 mkII model. Typically, the TD160 Super came without tonearm so that the customer could choose his/her favorite arm and allow the dealer to drill the armboard to fit. Metrosound/Cambrasound was just such a company that could do this. The TD160 Super sold in limited quantities and always cost significantly more than its standard TD160 MkII brother. Even without a tonearm.
TD160S
The TD160S, like the Mk IV and MkV versions are actually successors to the TD147 which came equipped with the TP16 mk IV and TP90 tonearms respectively. The Mk V is from 1988 to approximately1991. These models, like the TD145, 146 and 147 featured auto-lift and shut-off operations. Like the TD147 they feature a more solid cabinet. The TD160S should not be confused with the earlier and more specialized TD160 Super.
The Thorens TD145, the design of the TD160 but with the added complexity of auto-stop with arm-lift.
Ivan's TD145 (Croatia) TD145 anon (Canada) inside the box photos show the mechanisms. Allan Spivak's TD145 MK II with Mission arm (Canada)
TD166: Successor to the TD165 Tito Dasgupta's TD166 mkII (India) Euvrard, Jerome's TD166 MK II (France) Stefan_Ludke's TD166 with custom plinth (Germany)
Napoleon's custom TD166 (Canada) Jim Nicholl's custom TD166 (USA)
Gary McGee's TD166 mk II (USA) Martin Krauhs' TD166 mkV (Austria)
TD146: semi-auto version of TD166
TD147: Successor to the TD145
TD147 Jubilee JH (Canada)
TD126 MK 1, 2, 3 and 4. Successor to the TD125 George Barros's TD126 MK II (USA)
Boban Nikolic's TD126 mk III with tweaks (?) Carbonman's TD126 MKIII (Canada) John Elison's TD126 MK III (USA) Don Hopkins TD126 III / SME (USA) Peter_Mueller's TD126 III Centennial edition with SME (Germany) Yaxkin Restrepo's TD126 Mk II (Mexico) Erwin Rast-Schulz's TD126 MK III Centennial (Germany)
TD127: a TD126 with a long base plinth to mount a 12 inch tonearm.
TD226: a special TD126 that accomodates two (2) tonearms.
Rolf_Kelch's TD226 incorporates autolift function to SME tonearms (Germany) Very custom.
The Thorens Reference: The factory turns their designers loose to build a 'cost no object' best sounding turntable.
Thorens Reference (unknown) Thorens Reference 1, (SN# 22) Rolf restores a customer's table
Found in a NY garage. Now resurrected and ready.
Rolf_Kelch designs and builds the Rolf Kelch Reference II (Germany) Rolf_Kelch_Reference_II_Build_No3 (Germany) Comparing the Reference I to the Reference II
Thorens Prestige: After making the limited edition Reference, Thorens offers this flagship model Francisco_Garcia's Thorens Prestige (Spain) Thorens Prestige restoration project (Germany) This forlorn Prestige test mule is found abandoned deep within an old German Turntable factory. Watch it transform into full glory.
The TD321, 320, 318, 316 and Phantasie Tom Jung's TD-320 (modified by Rolf Kelch Electronics) (Switzerland) Jan de Groot's TD316 with mods (The Netherlands) Bill_Hayes TD321 (USA) Paul Johnstone's TD320 (Australia) Rolf_Kelch's Thorens collection (Germany)
Note about the Phantasie: It was a special model TD320 constructed in solid clear cast acrylic instead of the usual medium density fiberboard. (MDF) These were issued to Thorens dealers worldwide as a marketing device to gather attention to the brand. These models could be ordered from the factory by customers but the price was not low.
TD520 / 521 Circa 1985 - 2001 Thomas Appel's TD520 (Germany) Christoph Hegemeier's TD520 (Germany) With its wider plinth to accommodate 12 inch tonearms, the TD520 carries on in the tradition of the TD125 LB (Long Base), and the TD127.....only in an updated design more akin to the TD3xx and TD2001 models TD521 S in transparent acrylic
TD2001, TD3001/ Ambiance.
Rolf_Kelch rescues a wrecked Thorens Ambiance (Germany) Ron Kraft's TD2001 (Ger)
TD280, 290 Lise Steen's TD280 MKII (Denmark) ramossp' s TD290 (USA)
Various non hi-fi Thorens turntable models dating from the turn of the 20th century and its acoustic wind-up gramophones to the portables and compacts made throughout the century.
misc photo
Note: all photos supplied by owners....
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